ID |
YEAR |
TITLE |
MEDIUM |
PROVENANCE |
100.001 |
1890 |
Woman With A Black Hat and Shall [Femme au Chapeau et a la Cape Noire] |
lithograph |
L'Estampe Originale |
103.001 |
1893 |
Escargots d\'Omnibus |
lithograph |
La Escarmouche, 24 December 1893 |
103.002 |
1893 |
Un-shampooing (self-portrait) |
lithograph |
l'Escarmouche, 1893 |
104.001 |
1894 |
Milliners [Modistes] |
lithograph |
L'Estampe Originale |
104.002 |
1894 |
Voyage de Noces (Honeymoon) |
lithograph |
La Escarmouche, 7 January 1894 |
105.001 |
1895 |
Salon des Cent |
lithograph |
La Plume, January 1895 |
105.002 |
1895 |
Aux Champs-Elysees |
ink |
Zimmerli Art Museum, Rutgers |
105.003 |
1895 |
The Amateur |
woodcut |
L'Estampe Originale |
105.004 |
1895 |
The Photographer |
watercolor |
L'Estampe Originale |
105.005 |
1895 |
Blossoming Love on the Beach of Gray, France |
oil |
Private collection |
105.006 |
1895 |
A Young Woman And Her Haircut |
gouache |
Artcurial Briest-Poulain-F. Tajan |
106.001 |
1896 |
Les petites machines a ecrire |
lithograph |
Planche de l'Album des Peintres Graveurs edite par Vollard |
107.001 |
1897 |
The Ass Carrying Relics [L\'âne portant des reliques] |
lithograph |
Private Collection |
107.102 |
1897 |
La Cigale et la Fourmi |
engraving |
L'Estampe Originale |
107.003 |
1897 |
Les protecteurs |
engraving |
Le Cri de Paris 28 February 1897 |
107.004 |
1897 |
Decorum |
ink |
Louvre, Paris |
107.005 |
1897 |
Expansion Coloniale |
ink |
L'Estampe Originale |
107.007 |
1897 |
Promenade de l'enfant |
oil |
Private collection, circa 1897 |
107.006 |
1897 |
Portrait d'Alfred Jarry |
ink |
L'Estampe Originale |
108.001 |
1898 |
Le Papa de M. Judet |
ink |
La Feuille no. 13, June 1898 |
108.002 |
1898 |
In Transvaal |
ink |
Le Cri de Paris |
108.003 |
1898 |
A bas Zola |
ink |
Le Zola Proces, January 1898 |
108.004 |
1898 |
Picquart In Jail |
ink |
Le Cri de Paris, February 1898 |
108.005 |
1898 |
A Firing Squad |
ink |
Le Cri de Paris, 1898 |
108.006 |
1898 |
Avec celui-la au moins on est tranquille |
ink |
Le Enquete Publique |
108.007 |
1898 |
En Joue'...Faux |
lithograph |
La Feuille |
108.009 |
1898 |
It Is Forbidden To Walk On The Grass [C\'est Defendu de Marcher dans L\'Herbe] |
lithograph |
Private Gallery |
108.010 |
1898 |
M. Le Président |
lithograph |
La Lithographie Nouvelle |
108.011 |
1898 |
Elégantes sur les Boulevards |
lithograph |
Cantor Arts Center at Standford University |
108.012 |
1898 |
Nothing But Civil Strife |
watercolor |
Private Collection |
109.001 |
1899 |
A Young Girl with Dolls and a Ribbon in Her Hair |
ink |
Hermann-Paul family collection |
109.002 |
1899 |
Vous trouvez que c'est long? Mais on n'a pas encore eu le temps de trouver des preuves |
ink |
Le Figaro, 24 August 1899 |
109.003 |
1899 |
Caricatures From Rennes |
ink |
Le Figaro, 9 September 1899 |
109.004 |
1899 |
L'Innocent |
ink |
Le Figaro, September 1899 |
109.005 |
1899 |
Le Captain Alfred Dreyfus |
ink |
La Semaine littéraire, 1899 |
109.006 |
1899 |
Barbarie. Civilisation. |
ink |
Le Cri de Paris, 10 July 1899 |
109.007 |
1899 |
Elégante au manteau rose |
gouache |
L'Estampe Originale circa 1899 |
109.008 |
1899 |
L'Héritage |
ink |
Le Figaro |
109.009 |
1899 |
Memoirs of a Proper Young Man [Les Mémoires d\'un jeune homme rangé ] |
ink |
A. Fayard |
110.001 |
1900 |
Les Barrison |
lithograph |
L'Estampe Originale |
110.002 |
1900 |
Canal In Venice |
oil |
Private collection, circa 1900 |
110.003 |
1900 |
The Lovers. |
oil |
Galerie L'Ergastere, Paris |
110.004 |
1900 |
Sur Les Boulevards |
gouache |
L'Estampe Originale |
110.005 |
1900 |
At the Salon |
watercolor |
Fine Arts Museums of San Francisco |
111.000 |
1901 |
The Augustinians |
ink |
Le Figaro |
111.001 |
1901 |
Priest and Beggar |
crayon |
Private Collection |
113.001 |
1903 |
Advertising Poster: Theatre du Peuple |
lithograph |
M. Henri Beaulieu |
113.002 |
1903 |
Annees d\'Aventures |
ink |
Librairie Charpentier et Fasquelle |
114.001 |
1904 |
A Woman Sewing |
watercolor |
L'Estampe Originale |
117.001 |
1907 |
Capri |
oil |
Private collection |
117.002 |
1907 |
Les Maitres Humoristes no. 9 |
ink |
Librairie Félix Juven |
118.001 |
1908 |
Wilbur Wright a Auvours |
lithograph |
|
118.002 |
1908 |
Les cheminots (The Railway Workers) |
watercolor |
Collection Victor Hugo |
118.003 |
1908 |
La Vieille du Village |
watercolor |
Collection Victor Hugo |
119.001 |
1909 |
The New Car |
watercolor |
Commercial gallery, circa 1909 |
119.002 |
1909 |
l'inspiration française |
watercolor |
L'Estampe Originale |
120.001 |
1910 |
The Waiting [L\'Attente] |
ink |
Private Collection |
124.001 |
1914 |
Goodbye To The Marne |
ink |
La Victorie |
124.002 |
1914 |
The Hostages |
woodcut |
Private Collection |
125.001 |
1915 |
Conseils - Pendant la guerre |
ink |
Dorbonainé |
125.002 |
1915 |
Le Faux Berger (The False Shepard) |
ink |
La Baïonnette, Issue #7 Issue #7 Leurs Espions, 19 August 1915 |
125.003 |
1915 |
Chez Les Turcs |
ink |
La Baïonnette, Issue #2 Têtes de Turcs, 15 July 1915 |
125.004 |
1915 |
Les 4 Saisons de la Kultur #1 |
woodcut |
Dorbonainé |
125.005 |
1915 |
Les 4 Saisons de la Kultur #2 |
woodcut |
Dorbonainé |
125.006 |
1915 |
Les 4 Saisons de la Kultur #3 |
woodcut |
Dorbonainé |
125.007 |
1915 |
Les 4 Saisons de la Kultur #4 |
woodcut |
Dorbonainé |
125.008 |
1915 |
Les 4 Saisons de la Kultur #5 |
woodcut |
Dorbonainé |
125.009 |
1915 |
Les 4 Saisons de la Kultur #6 |
woodcut |
Dorbonainé |
125.010 |
1915 |
A View of the Marne |
watercolor |
Private Collection |
126.001 |
1916 |
Berger-le-vrault |
ink |
unknown |
126.002 |
1916 |
L'Epouvantail |
ink |
La Baionnette n°70 du 2 Novembre 1916 |
126.003 |
1916 |
Peace! |
lithograph |
Private Publication |
126.004 |
1916 |
Calendrier de la Guerre |
woodcut |
Librarie Lutetia [A. Ciavarri, Directeur] |
126.005 |
1916 |
Calendrier de la Guerre: August 1914 |
woodcut |
Librarie Lutetia [A. Ciavarri, Directeur] |
126.006 |
1916 |
Calendrier de la Guerre: September 1914 |
woodcut |
Librarie Lutetia (A. Ciavarri, Directeur) |
126.007 |
1916 |
Calendrier de la Guerre: October 1914 |
woodcut |
Librarie Lutetia (A. Ciavarri, Directeur) |
126.008 |
1916 |
Calendrier de la Guerre: November 1914 |
woodcut |
Librarie Lutetia (A. Ciavarri, Directeur) |
126.009 |
1916 |
Calendrier de la Guerre: December 1914 |
woodcut |
Librarie Lutetia (A. Ciavarri, Directeur) |
126.010 |
1916 |
Calendrier de la Guerre: January 1915 |
woodcut |
Librarie Lutetia (A. Ciavarri, Directeur) |
126.011 |
1916 |
Calendrier de la Guerre: February 1915 |
woodcut |
Librarie Lutetia (A. Ciavarri, Directeur) |
126.012 |
1916 |
Calendrier de la Guerre: March 1915 |
woodcut |
Librarie Lutetia (A. Ciavarri, Directeur) |
126.013 |
1916 |
Calendrier de la Guerre: April 1915 |
woodcut |
Librarie Lutetia (A. Ciavarri, Directeur) |
126.014 |
1916 |
Calendrier de la Guerre: May 1915 |
woodcut |
Librarie Lutetia (A. Ciavarri, Directeur) |
126.015 |
1916 |
Calendrier de la Guerre: June 1915 |
woodcut |
Librarie Lutetia (A. Ciavarri, Directeur) |
126.016 |
1916 |
Calendrier de la Guerre: July 1915 |
woodcut |
Librarie Lutetia (A. Ciavarri, Directeur) |
126.017 |
1916 |
Calendrier de la Guerre: Folio Two |
woodcut |
Librarie Lutetia (A. Ciavarri, Directeur) |
126.018 |
1916 |
Calendrier de la Guerre: August 1915 |
woodcut |
Librarie Lutetia (A. Ciavarri, Directeur) |
127.001 |
1917 |
Les Hymnes Allies |
lithograph |
Novel Essor |
127.002 |
1917 |
La Tradition |
woodcut |
Librairie Lutetia, Paris |
129.100 |
1919 |
L'Ange du Foyer |
woodcut |
L'Estampe Originale |
130.001 |
1920 |
Femme Espagnole |
woodcut |
Private Collection |
130.002 |
1920 |
La Guirlande |
crayon |
La Guirlande |
130.003 |
1920 |
Self-portrait |
oil |
Private Collection |
130.004 |
1920 |
Three Figures In A Bar |
woodcut |
Private Dealer |
131.001 |
1921 |
Tercio de varas |
woodcut |
L'Estampe Originale |
131.002 |
1921 |
Matador |
woodcut |
From the series Gardians et taureaux |
131.003 |
1921 |
Le Gardian |
woodcut |
From the series Gardians et taureaux |
131.004 |
1921 |
From The Genesis |
woodcut |
Leon Pichon (resold by Kline Bookseller) |
132.001 |
1922 |
Les Lais, le Testament et les Poées diverses |
ink |
Léon Pichon |
133.001 |
1923 |
The Tomb of Lord Byron |
ink |
L'Estampe Originale |
133.002 |
1923 |
Aprés Dîner |
oil |
Commercial gallery, circa 1920 |
134.001 |
1924 |
La croix de Camargue |
ink |
Private commission |
134.002 |
1924 |
Carmague Horseman |
oil |
Commercial gallery, circa 1920 |
134.003 |
1924 |
Carmague Woman with Child |
oil |
Commercial gallery, circa 1920 |
135.001 |
1925 |
Portrait de femme" |
oil |
Private collection |
136.001 |
1926 |
Quatre Frimousses #1 |
woodcut |
Leon Pinchon |
136.002 |
1926 |
Quatre Frimousses #2 |
woodcut |
Leon Pinchon |
136.003 |
1926 |
Quatre Frimousses #3 |
woodcut |
Leon Pinchon |
136.004 |
1926 |
Quatre Frimousses #4 |
woodcut |
Leon Pinchon |
136.005 |
1926 |
Mitsou, ou Comment l\'esprit vient aux filles |
ink |
Arthème Fayard & Cie, Paris |
137.001 |
1927 |
Carmen |
woodcut |
L'Estampe Originale |
137.002 |
1927 |
Quatro evangelios en uno I |
woodcut |
Léon Pichon |
137.003 |
1927 |
Quatro evangelios en uno II |
woodcut |
Léon Pichon |
137.004 |
1927 |
Quatro evangelios en uno III |
woodcut |
Léon Pichon |
137.005 |
1927 |
Quatro evangelios en uno IV |
woodcut |
Léon Pichon |
137.006 |
1927 |
Quatro evangelios en uno V |
woodcut |
Léon Pichon |
137.007 |
1927 |
The Last Drawing [Le Dernier Dessin] |
woodcut |
Geoffrey Holme |
137.008 |
1927 |
The Broken Jug [Le Pot Casse] |
woodcut |
Private Collection |
137.009 |
1927 |
Les Transatlantiques |
ink |
Albin Michel |
138.001 |
1928 |
Le Calvaire |
ink |
Paul Ollendorff |
139.001 |
1929 |
Le génie et les fumisteries du divin |
ink |
Nouvelle Société édition |
140.001 |
1930 |
At The Gallery |
woodcut |
Private Collection |
|
|